performances, envisioned as durational and thought as exhibition, derived from a research into the ecologies of nothingness, non euclidian geometry, soil entanglements, and unseen residues of our embodied and surrounding materiality, understood along the lines:
when nothingness was, it was: a state of superposition
crashed in its geometry to root presence into the void
sediments to be sheltered in numbers, but expelled
like hundred swarms rumoring sludge into language
